Instead of adopting major international players’ one ‘offer-fits-all’ strategy, we at CATCHPLAY with years of experience and passion for content, believes and embraces the importance of individual market’s unique needs and preference of content. In 2015, CATCHPLAY established AsiaPlay Incorporated with the ambition to become Asia’s largest movie content service provider. Today, CATCHPLAY Media Holdings Group owns two distinct companies – CATCHPLAY Incorporated, and AsiaPlay Incorporated – with involvement from production, distribution, linear movie channel operation and both content aggregation and platform operation for digital entertainment services. This was followed by expanded partnerships with Telkomsel, Indosat and First Media, and in Singapore, collaboration with the market’s leading telecommunication operator, StarHub. In June 2016, the service platform launched in Indonesia, collaborating with market leaders IndiHome, Telkom Indonesia. In March 2016, the CATCHPLAY+ service platform made its pilot launch in Taiwan in partnerships with major telecommunication operators and device manufacturers. In addition to content aggregation, in 2015, CATCHPLAY established AsiaPlay Incorporated with the ambition of becoming the leading premium content service provider for movie lovers in Asia. Today, we are the largest provider for premium movie content in Taiwan, aggregating content from Hollywood studios including Disney, Warner Bros., NBC Universal and Paramount in addition to having a wide selection of international independent films and leading local productions for distribution on major operators’ digital platforms. Today, CATCHPLAY continues to look into investment and co-production opportunities internationally and in Asia targeting particularly Chinese-speaking territories and South East Asia following our recent expansion footprints.ĬATCHPLAY started placing significant emphasis on the development of digital movie content years before the others did in Taiwan. In the same year, CATCHPLAY also provided financing and local production support to director Martin Scorsese’s passion project Silence, making it the first international production filmed entirely in Taiwan. CATCHPLAY and partners also control exclusive distribution rights to these films in Taiwan, China, Hong Kong and Macau, with The Revenant generating outstanding box office results from these territories in 2016. In early 2015, we closed a partnership deal to invest in New Regency’s three enthralling titles, namely The Revenant, Assassin’s Creed and Splinter Cell, marking the first investment of a Taiwanese company in major Hollywood productions.
Both investments generated considerable box office performance in Taiwan and China respectively. In the same year, we invested in the locally produced film, Paradise in Service and co-produced 20 Once Again with CJ Entertainment for the Chinese market. When asked how the woman survived, Angela leans towards the camera and smiles.In 2014, in addition to distributing the movies CATCHPLAY loves, we embarked in earnest co-production and investment projects, venturing into content creation. She also tells them that he is staying behind because he is infected and the only survivor is a woman, Angela. She takes his radio and, using Owen's voice, says that the mission is over and that they can let them out. After telling Owen that she does not need him to get out as she can impersonate his voice, she kills him. Then it is revealed that the Medeiros girl has possessed Angela, so she can left the darkness she was trapped in, and consequently the building. Rosso tells her to stop, but she shoots and kills him. When Owen refuses to authorize their exit, Angela starts to beat him to force him to do so. At this point, the only survivors left are Angela, Owen, and Rosso (Pablo Rosso), a GEO officer.
Owen is enraged because he needed the blood sample, but all Angela wants to do is leave the building. After some struggling, Angela blows Medeiros' head off with a shotgun. Inside that room and with the lights off, they finally find the Medeiros girl. When they turn on the camera's night vision, a door appears that leads them to a room.